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Spitting Image

By on Apr 23, 2014

Liz Conway’s solo work, “Spitting Image”, fuses live and video dance. Yielding to the containment of her 8’ by 8’ square, her subtle yet decisive movements show a juxtaposed relationship between the real and virtual images. Through these accessible limitations she creates a cohesive exploration of an alternate universe.      

Tracing thoughts: Capturing processes of (anti)academic artistic research 

By Astrid Kaemmerling on Apr 7, 2014

Thought to speech to text to action, ideas spilled out upon surfaces, extended conversation, writing about speaking, recording language, stopping time, finding sound, taping voices, between art and research, research and art; technically speaking, poetically writing, breaking ground; reflecting, collecting, creating, materials exchanging; stimulation, simulation, extending experience, wished-for- collaborations, unpredictable structures, systems without rules, spirit appreciated, exile, nostalgia, history, tradition, fascination, education, experimentation, emotion, united, ratio; art-based research behavior; participation, pinning papers to snakes, inheriting spaces, sonic waves of interference, thought exchange, performative action, exploration, sound cognition, artistic scholarship; writers, musicians; seeking art adventure; space reshaped, audio-visual, propulsive sonic movement,...

MLK Skiing

By on Feb 21, 2014

For one of my most recent projects I conducted and performed a performance piece based around the Martin Luther King Day and Skiing. Apparently MLK Day is a big day for skiing. There is no irony or coincidence to this, just simply intrigue on why this is the case and it is somewhat laughable. So for my performance I performed an acoustic guitar version of the song “Sunday Bloody Sunday” by John Lennon but I changed the words to say “Monday Bloody Monday” since MLK Day is on Monday. I also had projection of text while I performed stating “Black people do ski too.”

Between Us

By Joey Behrens on Aug 27, 2013

A house reduced in size and made fragile, dependent on the two bodies that work together to carry it between them. The interior becomes the exterior as the private negotiations of roommates are acted out publicly through a one-mile walk, up Richland Avenue and Court Street. The house becomes the point of contact, of physical touch and communication, between the two people holding it between them. They hold it by fitting their arms into impressions of those arms—from shoulder to finger tip—cast into the paper skin on either side of the house. A go-pro camera was inserted inside the house to record the walk from the point of view of the object at its center. The audio is a clip from the longer recording that became the main record of the walk and necessary communication between my roommate and I. The image you see is a photograph taken towards the end of the walk.  

Spectroscopy

By Suits Artist Group on Oct 6, 2012

It didn’t go off without a hitch, but our tight group managed to pull together and overcome the obstacles in our way. The end result? A solid performance that 50+ unsuspecting Faire-goers of all ages got to experience, each leaving with their own unique reaction to what we created. One nervous participant, unaware of what to expect, was affected so greatly by the atmosphere of our performance that he asked, with a scared crack in his voice, to leave in the middle of it. Suits is the collaborative effort of Sculpture and Expanded Practices MFA candidates, Basil Masri Zada and Kathleen Williams, and Photography and Integrated Media MFA candidate, Carlos Pacheco. A Syrian Fulbright recipient, an Ohio-based mixed media artist, and an Arizona-born photographer- Masri Zada, Williams, and Pacheco utilize their collective and varied experiences to create conceptually-based, interactive...

In Process- Investigations of Futiltiy and Possibility #2

By on Sep 29, 2012

This work displays my endeavors to construct a cocoon-like structure out of plastic wrap that eventually sustains my body weight. Functioning as a metaphor for the ways we continuously construct and deconstruct barriers in our everyday lives, this work communicates struggle, the difficulty of change, and also reveals that potential and possibility may emerge in unexpected ways.    

In Process- Investigations of Futiltiy and Possibility

By on Sep 19, 2012

This work explores structures of self-containment, body, and transformation. In the video, I use my body to physically and metaphorically construct and deconstruct a self-imposed barrier until a transformative state is achieved. At times, the task seems fruitless as change happens slowly and is physically and psychologically enduring. As a result the work becomes a literal endeavor in change, continuously shifting between realms of futility and possibility.    

Action Vs Reaction

By Natalie Preston on Nov 9, 2010

No matter how small, every action has weight in the world. My most recent project is an investigation of how to get people to reflect on the complex ways in which our actions effect each other. As a society our interactions are becoming more and more mediated through technologies like the internet. The public is placed in a position to make a mark (or to take an action), but not told what mark to make. Many of the participants make crude, inappropriate or childish marks, only to go into the next room to see their marks projected onto my body. There is an enlightening moment when it becomes revealed to them that they were being watched, resulting in a sense of vulnerability that perhaps causes the participants to consider what they would have done differently had they known about the implications of their actions.  

Whaling Blind

By Crystal Brown on Feb 25, 2010

This is a project based on an on going series of works dealing with performance,mythology and meditation through the increased difficulty of a specific task and system.