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In and Around The Barn – Red Projection

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This is a continuation of my previous “Color Experimentation” project. {Leander Edmiston and myself(Dan Manion) have begun to experiment with a series of color-based video projects. Our aim is to explore the many facets of color, including its incorporation into storytelling and its emotional associations. Ambiguous and undulating inks confront the viewer with an escape from reality. Together we have begun creating organic-esque, complex, and abstract “colorscapes” that reference the natural world.}     This first edited video entitled “RED” is an example of my fascination with back and forth submergence into a created dreamlike space. With help from Nathan from the Create_Space, I was able to project this video at the gallery show entitled “In And Around The Barn” held this past month at The Dairy Barn.  ...

eMotion

By Kyle Hannon

This project focuses on creating an experience which combats the overwhelming amount of digital and social stimulation that exists in the world today. I wanted to create a tranquil environment with light and color, that viewers could escape to, ignoring their phones and computers for a time. The pattern is dynamically generated in Processing. The program is designed so that every frame of time is unique and no moment will ever be repeated, giving the viewer a new and different experience every time they interact with it. This also provides more context to the piece, as it exists within the same digital medium as the negative stimulation I explored.          ...

Urban Body

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This project interrogates the interchangeability of space and place. It tries to play with the fluid relationship that we have with the built environment. The strategy I have chosen is to claim spaces in the built environment that seem to exist as non-places as they usually stay undisturbed or underutilized. Here I employ temporary constructions possessing international forms (i.e. the curvature of a curb rounding a corner) adaptable to local conditions. The Locations are limited to downtown areas in various cities across the United States and, hopefully, will be expanded to other countries. The hidden motif behind the work is the issue of displacement and creation of strategies to transform space into place. In placing my body in a piece of foam with my 3D scanned body carved into it using a mechanical process, CNC, and, then, placing both into a curvature that almost perfectly fits...

The World Is Flat

By Todd Kunkler

sometimes you search for video coverage of recent tragedies (genocide, mass shootings, and so forth) to see what sort of emotion it will generate within you—to see whether or not you are the kind of person you’d like to believe you are—and the video will be preceded by an advertisement for a brand of toothpaste which offers you a “brighter, healthier, and more confident smile” and then you realize that you are out of toothpaste [This body of work is an investigation into the chaotic visual language of our increasingly image-saturated post-digital society. Through techniques of collage, appropriation, and photo manipulation I disband image and ideology, thereby calling into question the veracity of the multitude of images we consume daily, and revealing undercurrents of violence and control at the heart of representation.] http://newhive.com/toddkunkler/the-world-is-flat...

Spectral

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For Spectral, I have created a video from still images from a previous blog entry, titled Elliptical Orbits. This video is then projected onto strips of painted Dura-Lar, a plastic material, which are installed hanging throughout the space. The images of the projection are fragmented between the painted strips and the back wall, creating multiple layers of images within the space while disrupting the large image with cast shadow. The colors of projected light from the images interact with the colors painted on the plastic pieces, either enhancing or negating it. The plastic pieces also reflect colored light onto the surrounding walls, encompassing the entire space into the environment of the piece. The viewer is encouraged to walk through and in the installation, allowing their own shadows to disrupt the projection and becoming a part of the piece by being projected on.    ...

The Sailing Cart

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This work explores the relationship between everyday items and life as performance. By slightly transforming disregarded and forgotten objects, there is a sense of wonder and a newfound appreciation. As an object’s utility changes, so does its relationship with the world around it. Through observation and report transcending objects’ set functions leaves the viewer with a hymn to the limits of our existence as well as the limits of the world around us.   http://www.aesthetictechnologies.org/atlab/wp-content/uploads/tdomf/11643/CARTAUDIOMP3.mp3  ...

The day I watched my Dad pull his gun

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During my second year as an MFA candidate in the ceramics department here at OU, I am exploring childhood recollections through recreation and adaptation. My hope with this work is not only to recall memories that are significant to my development, but also to revisit times in my life when important people (such as my father, grandparents, etc.) were still living and, in turn, still a source of comfort and safety. On to the project… For this iteration of the piece I’ve titled “The day I watched my Dad pull his gun”, I moved my studio into the installation space up at the Ridges for 2 days. During this time, I built loosely constructed wooden supports out of 2x4s that would eventually hold raw clay constructions of the human hand. I enjoyed working with raw clay in this manner because it allowed me to construct these pieces free of the anxieties most often...

eMotion

By Kyle Hannon

We live in a world over-saturated with stimulation. Many people are overwhelmed by this stimulation, whereas others thrive on it. I am exploring the influence of stimulation in the form of color, light, and motion on a person’s emotional states, and the potential of fabricating it with design principles in mind. My goal is to create a dynamic environment to convey stimulation, through the use of projected imagery.        

A Soft Surplus and Soft Surplus+

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A Soft Surplus was the first collaborative installation by Collective Springboard (Micah Snyder, Stephanie Wadman, Danny Crump, Siavash Tohidi, Todd Irwin, Barry O’Keefe and Sarah Dahlinger). Held at the School of Art+Design’s Ridges graduate studios, the handmade bouncy castle constructed from recycled and found materials imagined the possibility of an inclusive playland. The interactive art installation invited the public to jump inside the soft sculpture and explore their relationship with fun. In conjunction with Athens’ Nuit Blanche Festival, Collective Springboard bounced back with Soft Surplus+. Installed at the busy intersection by Howard park, the sculpture attracted a diverse range of jumpers from families and children to undergrad bar-goers and professional dancers. Soft Surplus+ created a venue where participants embraced their high flying spirit and bounced to...

Eavesdropping

By Elizabeth Boch

In my installation, I was interested in borrowing an aspect of the body. However, rather than giving it life as a part of the body, I sought to personify the wall by plastering the piece onto it. It acts as a blemish on the wall, behind which a private discussion festers. It speaks to the viewer in inaudible whispers, white noises, and other sounds which are muffled plagiarisms of a potential discussion on the other side. I hope that the viewer would be enticed by the audio streaming through the central mouth, enough to approach it out of curiosity. The wall is a barrier for the viewer of this piece, and the mouth acts as a tool to transcend it. It is my intention that through the repeating audio, the loud clang part way through startles the listener similarly to how unpleasant gossip and devastating news might shock and distress them through eavesdropping. The wall, in this case, acts...

The Egg

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The Egg is an installation I created to alter Ohio University’s studio spaces. As art students we have a very chaotic and creative studio space to work in, but the creative process also calls for a time of reflection. Unfortunately, we do not have a space to go to be by ourselves and clear our heads. The Egg gives easy accesses to any art student in a studio classroom to get away from the noise and chaos that each room creates. The process of creating the Egg took two weeks. I first started to work on the chair. I rounded off the sides of a piece of plywood and attached a shell of chicken wire that resembles the egg shape. I then went through a long processes of paper maching. Once I got through the structure of the chair the rest of the process was pretty simple. I finished the chair by adding four swivel wheels, sewing a cushion, painting the inside blue, and the outside white. I...

A Soft Surplus and Soft Surplus+

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A Soft Surplus was the first collaborative installation by Collective Springboard (Micah Snyder, Stephanie Wadman, Danny Crump, Siavash Tohidi, Todd Irwin, Barry O’Keefe and Sarah Dahlinger). Held at the School of Art+Design’s Ridges graduate studios, the handmade bouncy castle constructed from recycled and found materials imagined the possibility of an inclusive playland. The interactive art installation invited the public to jump inside the soft sculpture and explore their relationship with fun. In conjunction with Athens’ Nuit Blanche Festival, Collective Springboard bounced back with Soft Surplus+. Installed at the busy intersection by Howard park, the sculpture attracted a diverse range of jumpers from families and children to undergrad bar-goers and professional dancers. Soft Surplus+ created a venue where participants embraced their high flying spirit and bounced to...

Untitled (bobraushenbergsamerica installation)

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This project was done to support the production of “bobrasuchenbergsamerica” performed by the OU Theatre department at the RTV Building. It was available for viewing from Oct. 2 through 13, 2014. When something has a familiar linguistic label (such as a “play”), we have certain expectations about that experience that come with that label. The idea was to change the manner in which the viewer experienced and engaged in – this case – the play. To accomplish this, I formed a set of rules – using sentences from the play’s script as discreet events – to encode the play through visualization and sonification. From there, the audio-visual installation unfolded according to those rules. Lines of text reflect the dynamics that occur throughout the play visually, with each representing a unique character and key themes related to that character. The installation space was...

Cutrual filters

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During my research about the Yao people ceremonial collections, I am thinking it is important to let others understand the difference and similarity between the Yao and their own culture. So I made this installation and try to discuss how the culture shapes us in my sculpture class. I think all the cultures functionally are the same. The cut papers in the middle represented the physical forces which structure our lives. The projected images on the papers and wall represented the ideologies. The projected images are composed by the sacred symbols in the Yao people ceremonial collections. The viewers which are my classmates they could learn the ideas through discussing this work.        

Linger Longer

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This project uses the lobby of 31 S. Court St to explore the aesthetics of waiting. The nondescript furniture of waiting rooms, extreme volumes of doorways being slammed shut, and the comforting tones of background music will be used as tools to explore what it means to purposefully linger in these transitional zones. This theme is investigated through a quilting of musical pieces playing with and against each other, a free six-page pamphlet exploring the benefits of background music and its history (with special sections dedicated to listening and exercises to further one’s sense of well-being), and two exotic light sculptures to stir the imagination. Participants are invited to attend to the aesthetics of waiting through active mind/body immersion. The crystallized participatory experience opens room to ask questions like: What can be learned from staring at mass-produced,...

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