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The Use of Outdoor Lighting

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I created this project because I have been thinking about changing my major to photography and integrated media. I have quite a bit of experience with photography and I know that outdoor lighting was one of the things I wanted to improve on. Therefore, I asked a couple of my friends if they would be interested in modeling for me and they said they’d love to. First, my friend Becca and I walked around campus one day and I took individual pictures of her. I chose places that would be perfect to work with outdoor lighting. We stayed on East Green and took photos on the stairs behind Lincoln Hall, on the road towards Shively and outside of Putnam. The second time I used outdoor lighting, I was with my friends Becca, Chrissy, and Barrett. We took a trip to the Ridges on a sunny day; I took them into the woods to a few spots where the sun was shining through the trees. I decided to paint...

Mother Lode

By Courtney Kessel

“Mother Lode” was a solo exhibition at the David Brooks Gallery at Fairmont State University, September 3 – October 5, 2014. The work in this show highlights the challenges and negotiations between having time for myself and the constant need and interruption of an other. It is a body of work that has emerged from having a 40 + hour a week job and being a full-time mom. Instead of having the ability to be in the studio all the time and producing a body of work, the time spent installing becomes a durational performance or studio practice. A heavily conceptualized idea is prepared and then executed at the site-specific location of the gallery. The “Mother Lode” is the origin of a treasure or vein of ore, something precious. My use of it here indicates both the above meaning and the origin of me as a mother, which is the child. I am also playing with the word “lode” and...

Untitled

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This project began as a conversation between two objects in two images. Each of the two framing pieces have one object being depicted, and although the objects are on different planes, a representation of the disorienting organization of the play, they are able to express the idea that, one can move their eye, in fluid motion, between two images on different planes, if the images are placed correctly. The dialogue between these images conveyed the idea of connectivity based on the placement of objects. This is something that can be seen in Rauschenberg’s work and in the play, bobrauschenbergamerica. According to charlesmee.org, the play is a “collage of people and places and music and dancing…and the sheer exhilaration of living in the country where people make up their lives as they go”. This work, in its ability to create communication between two objects, almost embodies the collage...

Post Black: Trezon Dancy

By Ryan Davis

The term Post-Black is a new development in contemporary art. If you’ve followed my post at all you will notice that this is something I have been exploring since Spring semester of the 2013-14 school yr in various formats. Most recently I have started a series of paintings. At this point in the project I am still collecting reference images for paintings. I photographed Trezon Dancy. I am using him along with others as a way to portray the diversity of Black identity through portraiture. This photoshoot was taken plan on October 17th at the photography lab in Seigfred Hall which has been a consistent place for me to do portrait photography. These photographs will inevitably be used as references for paintings. If you are engaged with my project and would like to follow my progress you can also view my website and my website blog www.ryandavistheartist.com...

Basel Design

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In June of 2013, Don Adleta started a year of intensive research documenting the Advanced Class of Graphic Design at the Basel School of Design 1968-1999, his Swiss Alma mater. Supported by The CREATE____space and four research grants: one from the College of Fine Arts’ Scholarly Research Award, 2013, two from School of Art + Design Faculty Development Fund, 2013, and 2014, and one most recently from the College of Fine Arts’ Faculty Development Fund, 2014. Adleta is realizing a portion of his quest to create a reference document outlining the pedagogy initiated in Basel and practiced in numerous design programs worldwide. In 2013, Adleta created a 5 day refuge for 11 alumni and Wolfgang Weingart in the Azores to discuss the synergy resulting from theBasel Weiterbildungsklasse für Grafik (WBK). These discussions involved Jerry Kuyper, US, Hamish Muir, UK, Hamish Thompson, NZ as well as...

A Soft Surplus and Soft Surplus+

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A Soft Surplus was the first collaborative installation by Collective Springboard (Micah Snyder, Stephanie Wadman, Danny Crump, Siavash Tohidi, Todd Irwin, Barry O’Keefe and Sarah Dahlinger). Held at the School of Art+Design’s Ridges graduate studios, the handmade bouncy castle constructed from recycled and found materials imagined the possibility of an inclusive playland. The interactive art installation invited the public to jump inside the soft sculpture and explore their relationship with fun. In conjunction with Athens’ Nuit Blanche Festival, Collective Springboard bounced back with Soft Surplus+. Installed at the busy intersection by Howard park, the sculpture attracted a diverse range of jumpers from families and children to undergrad bar-goers and professional dancers. Soft Surplus+ created a venue where participants embraced their high flying spirit and bounced to...

Recreating Robert Rauschenburg’s “Monogram”

By Linda Di Bernardo

The job of the props artisan is to create the objects that enhance the believability of the world of the play. If done well, both the audience and actors willingly allow themselves to be transported and suspension of disbelief can only achieved if the props are accurate and authentic. bobrauschenburgamerica, by Charles Mee was the first show of the 2014-15 season produced by the Ohio University School of Theatre. One of the props called for was a reproduction of a well known sculpture by the artist Robert Rauschenburg called “Monogram”, which depicts a life-size goat with a tire around it’s belly and a face full of paint. This required extensive research into not only accurately depicting a life-size goat, but how to do it both cheaply and efficiently – two other important factors of being a props artisan. For roughly $120, and on a three week time frame, the...

ThinkDesign Open House

The members of ThinkDesign would like to invite y​ou to our Open House! We will be celebrating our 3rd year as a pivotal member of the Bobcat Hatchery and the Center for Entrepreneurship, as well as our new partnership with CREATE_space,Ohio University’s premiere interdisciplinary resource for Creative Research Exploring Arts, Technology, & Entrepreneurship. ThinkDesign’s team of designers work hard to take your startup company from an idea and form it into a BRAND. Come join us for a casual get together, enjoy some snacks and refreshments, and get a glimpse of our experience and what we could do for your startup! Wednesday | october 15 | 6-7pm Putnam hall | room 235

Advertisement Exploration

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How society views and stereotypes women, grasps my attention and leads to critical thinking and demonstration through art form. I am using these photographs to manifest the visual representation society has actuated to women. I find we are directly affected by the images that surround us on a daily basis. The way women are presented in advertising is strongly opposite then in men ads. I found a fashion ad for Kohls that was in Elle magazine and I tried to recreate it using a male model. In the original ad the girl is in a very vulnerable pose, which is common in fashion ads. When men are put in these same poses they come off as awkward. Men are always shown in strong assertive poses while women are are portrayed as vulnerable and child like. This project explores how gender stereotypes are portrayed in advertisement.        

Participatory Art and Urban Space: Taipei, 2010-2014

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Through various Participatory Art case studies in Taipei, my dissertation explores the use of art as a critique on Taiwan’s current urban (re)development policies. Two interdisciplinary works, Operation Little Barbarossa and Cooking at the Front Line stand out in particular as protest against exclusive and inequitable urban renewal. Both projects demonstrate the collaboration between artists, students, residents, and other professionals to create performance art in order to rally for housing rights and increased civic participation in urban planning. Operation Little Barbarossa utilizes a hand-built car, a man-powered BMW318 with a tandem bike ‘engine’, to distribute educational literature that encourages citizens to critically examine the effects of 2010 International Taipei Flora Exposition on Taipei’s natural and living environment. (fig. 1) Cooking at the...

Cactus-By-Proxy

By Todd Kunkler

“Cactus-By-Proxy” is the first in a series of interactive, web-based artworks examining the unique discourses, fabricated personas, and crippling loneliness of subterranean online communities. Though part send-up of PPV camgirl sites, part critique of the heavily mediated interactions made commonplace by the internet, “Cactus-By-Proxy” is, at its core, a loving pastiche of the weirdest, most disconcerting corners of the web and all of their inhabitants.    

Mapping San Francisco II

By Astrid Kaemmerling

My recent work explores the impact of gentrification upon San Francisco’s Mission District. How is gentrification transforming the material and social relations of SF’s historically charged district? Through this long term project it is my intention to map the district’s rapidly changing fabric which will provide tools to analyze the impact of gentrification upon the material and social fabric of the district. Through regular drifts through the district I was able to continue my research – collecting no longer merely visual but also audio files. To be continued…      

The Sky Over Lake Erie: My Husband and Me

By Gregory Hatch

Using the digital printer on found fabric I was able to print out the family photos of my husband and myself to create the base material for this project. The Sky Over Lake Erie: My Husband and Me is a textile piece that subtly explores notions of queer space and personal memory. The title refers to the lake that is geographically between my husband’s and my family homes. It is a piece that is meant to allow the viewer only limited viewership to the printed photos as they are obscured by the bright rainbow pattern. This is much like how queer identity can often distract away from the everyday person.    

Behind The Mask

By Nick Poulos

We all know about our favorite wall crawler, Spider-Man and some of us wish we could be him. But without great power comes… a need for a super awesome costume. Now being that we aren’t movie stars or millionaires it’s not that easy to get our hands on a professionally made or movie used costume. So what do we do when a $30 costumes just won’t cut it? Well there’s actually a lot that goes into it from the trial and error of fabrics and colors to screen printing on a miniscule brick pattern that most people aren’t even going to notice. Well there’s one more component you many want to consider investing in. A face-shell. That’s right, I know you all think it’s just a face underneath the mask but you would be mistaken, the movie star and stunt doubles all wear a face-shell under the mask to keep the shape of the head clean and smooth, rather than seeing a wrinkled fabric and the actors...

nostalgia

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I decided to explore light and projection, showcasing nature photos and videos onto moving sheets, using those clips to create a psychedelic music video.

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