These paintings explore the divide between memory and experience. People take pictures to commemorate experiences, but the experiences are not in those pictures. If someone prints a photograph, it can evoke the experience but can’t bring the experience back. Printed images are typically made with four colors, Cyan, Magenta, Yellow, and blacK (CMYK). I have taken the role of a human printer. Using this same vocabulary of color, I have reconstructed the experience of remembrance through gestural application of paint. Painting one color at a time, I combine the transparent colors into a single image. Earlier works in the series leaned more representational. The results became less about a recognizable landscape and more about the motions of applying the paint.