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Three Documents

By Jacob Koestler on Nov 9, 2012

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A document on screen is always fiction: Bigfoot is found to be a more dedicated journalist disguised as the crytid and seen first-person through the amateur lens. The projection screen (within the screen) catches fire and one myth is set ablaze. The camera pulls focus to a television screen littered with Appalachian detritus set against a foggy mystic sunrise along a gravel road. The tracking is adjusted, and the landscape disappears into the static void.