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Creative Research Exploring Arts Technology & Entrepreneurship

The CREATE_space is Ohio University’s premiere interdisciplinary resource for Creative Research Exploring Arts, Technology, & Entrepreneurship. We CREATE potential, we CREATE opportunity; We CREATE space. – Learn More.

We help students create & document their creative research. Explore their work:

We help students create & document their creative research.

Explore our creative research.

Transcribing Light & Motion

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How do we recognize the reality of physical phenomena that we cannot touch? Light and motion are two such experiences, elusive in our understanding of them. The following project is a twofold creative examination of physical concepts. The first component concerns motion: how does our motion through physical spaces hold continued presence, even after the motion has passed? Why are certain motions repeated by certain people to create unique patterns of action? How do our bodies relate to nature and physical phenomena? To address these questions, I created a video of myself dancing, one of my favorite types of motion, past 3 lines. The lines follow one after the other, related by the golden ratio. This relationship was chosen because of its mysterious connection to repetition in nature. I recorded each part of my body as it passed a line. Obviously the motions of my body differed each...

Mask and eyes

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This drawing original is an unconscious drawing, almost based on self thinking. When I finished drawing, I found out there are a lot of signs include in the elements I used in the work. Eyes, mask, third eyes, rolling eyes, concentric lines, etc. Those all include meanings behind and also reflect myself.      

Home Salty Home

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In the spring of 2013, I was standing in line for concessions at the Angola Prison Rodeo in Louisiana. I had received a grant to conduct research on the controversial spectacle of the rodeo. A friendly man next to me suggested I try the fried pig tail and reminisced about his favorite snack. His t-shirt read RODEO WORKER. I recognized the t-shirt as the same worn by men behind booths at the rodeo’s craft fair, where they sold their art. The rodeo was held on the grounds of a maximum security prison. The men behind the booths were inmates. I bought a pig tail, found a seat on the bleachers, and gnawed on the deep-fried cartilage and bone. Dressed in black and white striped costumes, the inmates commenced the theatrical events of the rodeo as hordes of spectators cheered on. I couldn’t figure out how to eat my pigtail. Eventually, I grew tired of the rodeo’s pageantry, left my seat, and...

Babel

By Ryan Davis

Babel is an ongoing series of a dialogue regarding the contemporary context of Blackness. My research is to expose the shifting dialogue of race seen as a Black-White issue but an inner dialogue of critique what Blackness means. As this research continues to unfold I intend to reveal that Blackness does not solely define a person and solidarity but rather an examination of self that can be informed by Blackness. Most recently at set up an audio piece using the create space PA system to project a set of interviews of Black people I conducted. I exhibited the this piece over the PA on April 16th. The pictures you see with this post is an image of the space I played the audio in and picture of the painting that was presented along with the audio.    

ART 1220, Image

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The following explores fundamental issues and concepts of  image creation, to have been designed to further develop the designers’ ability to perceive, interpret and record information. The works evolve from executing simple interpretations of aesthetic form to visually translating complex observations. A focus on ‘the aesthetic’ order throughout this research will concentrate on understanding the structure of objects and color through traditional drawing. We can look at image from an aesthetic, a theoretic, a pragmatic or a personal point of view. All are valid approaches and each can be used in a variety of applications. We have to remember, however, that we are experimenting with image inside the context of a school of art and design that prepares individuals for a variety of potential disciplines. Thus the visual experiments have been selected to have purpose for...

Dark Water

By Ian Campbell

In August of 1817, a number of people claimed to have seen a “Sea Serpent” in the harbor of Gloucester, Massachusetts. Many scholars, scientists, and historians have attempted to speculatively identify this creature as a species yet unknown to science, and even more skeptics have disparaged the account as a hoax, or the product of provincial naïveté. Yet what really happened that summer, 200 years ago, remains a mystery. The true identity of the Gloucester Sea Serpent remains unknown: irretrievably lost to the passage of time. For my MFA thesis project, I used this enigma of natural history as a “narrative spine” to bind together an idiosyncratic sequence of images, texts, objects, and audio recordings that I presented at Trisolini Gallery this April. This body of work began last summer, when I travelled to Gloucester, Massachusetts to conduct research at the Cape Ann Museum and seek...

Barbie in Real Life

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In our society, Mattel’s Barbie doll is seen as a sort of standard of beauty and femininity. However, what people often don’t take into account is the fact that Barbie dolls are anatomically incorrect, and cannot do most things that an actual human can. Likewise, although humans can slightly more successfully imitate Barbie dolls, they still look ridiculous and the poses are incredibly useless in everyday life. What these things say about the design of Barbie dolls is that it is flawed at its very core, inaccurately depicting the human body and its functionality. My series of photographs seeks to explore this discrepancy in the doll’s design by looking at how a typical girl looks when attempting to imitate a Barbie doll’s poses and design. I used the blue screen in the CREATE_space studio to take photographs of a girl posing as a Barbie doll would with a series of props. I then used...

Hyperspace Playground

By Barry O'Keefe

A series of kinetic sculptures that modify the non-spaces formed at the margins of highway infrastructure. The swing, with its connotations of youth, freedom and wonder is inserted into this alienated wasteland in order to highlight through contrast the distorted values inherent in the design of our landscape. The on ramp and the overpass, through the anomalous presence of a person, are rendered monumental and sublime, and reveal their hostility to the human body, and indifference to history, culture and social relationships. Animations which document this project were displayed using resources from the Create Space.  ...

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